One Stage, Three Sets
Plenty of options, from a relaxed conversation to a polished address.
The BURNSIDE
Two comfortable chairs, a small table, and nothing between your speakers. Guests settle in, forget about the cameras, and talk the way they would over coffee. When the best part of the conversation is the part nobody planned, this is the set.
Capacity: 1-2 people on-camera.
Camera Angles: Three cameras: one wide, one on each guest.
Best Used For: Video podcasts, executive fireside chats, and interviews.
The MORRISON
Room for four, and a table that earns its place. Open laptops and tablets for a discussion that runs on data, or set down coffee cups for a conversation that runs long. The chairs sit a little more upright than the BURNSIDE's, which keeps everyone engaged without anyone getting uncomfortable.
Capacity: 2-4 people on camera.
Camera Angles: 3-camera isolated capture (wide shot + 2 tight guest angles).
Best Used For: Panels, roundtables, multi-guest podcasts, and team storytelling.
The HAWTHORNE
Capacity: 1 presenter
Teleprompter: Through-the-lens. Shows your script, or your remote guest live.
Notes Within Reach: The desk runs lengthwise, so a laptop or notes sit just out of frame.
Backdrop: Optional seamless white or gently washed with brand color.
Best Used For: Executive messages, remote interviews, course modules, and webinars.
Built for one voice speaking straight to camera, or to someone who isn't in the room. The prompter glass sits in front of the lens, so you can read the script or see a remote guest's face while looking your audience in the eye.
ALL SETS INCLUDE
Whichever set you book, everything that makes the day easy comes with it. The room is ready when you walk in, and you leave with something you can use.
On stage
A Show, Not Just Footage: Your engineer switches between cameras live as you talk, so you leave with a finished show instead of hours of raw clips.
An Edit You Can Pick Up: You also get a project file that opens with every cut already in place. Your editor refines it rather than starting over.
Three Cinema Cameras: Blackmagic cameras, each also recorded as its own file.
Finished Audio: Everything runs through a RØDECaster, so your sound is right the moment you leave. No cleanup, no mixing.
Your Choice of Microphones: Shure SM7B on arms, wireless lavaliers, or an overhead boom.
Studio Headphones: Sony, the kind that look right on camera.
Lighting in Any Color: Background and accent lights set to your brand.
Your Screen, Recorded: Plug in a laptop, tablet, or phone over HDMI, and we record it alongside the cameras.
Remote Guests: Zoom, Google Meet, or Riverside, set up and sent before your session.
Your Files the Same Day: The finished show plus every camera and microphone track.
Off stage
A Pre-Production Check-In: A free 15-minute call or email before your session, so the room is set up for you before you arrive.
A Dressing Room: Shower, makeup station, wardrobe rack, and a steamer, so you walk on camera looking your freshest.
A Green Room: A place to sit, plan, and make last-minute changes, with a 42" screen showing exactly what the cameras see.
Refreshments: Coffee, tea, and snacks, served in mugs that look good on screen.
Behind-the-Scenes Photos: Of you and your guests, for social and your show page.
Coming back? Your look is saved. The lights, cameras, and switcher are all programmable, so episode twelve looks exactly like episode one.
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Our setup is built on the Blackmagicdesign ecosystem
Blackmagic Pocket Cinema Cameras 4K
ATEM Mini Pro Extreme ISO Live Switcher
RODEcaster Pro II Mixer
Shure SM7B mics with low profile arms
MKH 416 boom mics
Sanken COS-11 lavalier mics
Sony MDR-7506 Headphones
Full Studio Lighting by Nanlite
Glide Gear Teleprompter
DaVinci Resolve Studio